The first post of the year is always difficult to write. The winter holidays induce a pleasant haze of idleness. Returning to daily work or regular blogging seems somehow absurd. I already miss the late breakfasts, lazy lounging and the somnolent pleasures of heady reading during winter afternoons… on the verge of falling into a brief nap… the book heavy in your hands…
Dramatic Resurrection
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I was sad to see the Drama Magazine fold up a couple of years back. I never really got around to writing an obituary… and it looks like I may not have to. Sort of.
This has probably been online for some time. Still, it’s pretty cool: the entire run of the magazine is now available as free PDFs! It was a cool mag, fantastically designed (each issue better than the previous) with a great 2-color comics section. I had the privilege to contribute to the last 4 issues along with such great cartoonists as Vanessa Davis, Zak Sally, Matthew Thurber, Dash Shaw and many others. RIP The Drama. Long live the Drama. Nothing stays dead for long. All that is solid melts into air. Internet immortality and all that…
Still, I’m going to treasure my hard copies that much more. Thanks to Joel & Travis for asking me to contribute and for being such gracious editors.
Mobile Photography Nostalgia
My dead Sony Ericsson T-610s soul taken by the Nokia 6300.
I don’t take very many pictures with my cellphone. But, occasionally it is the only tool available to record a moment in time. Usually the picture is forgotten as soon as it is taken. When my trusty Sony Ericsson T-610 died a few weeks ago I was compelled to take a look at the pictures I’ve taken with it during the five (!) years it served as my phone. Its camera wasn’t great and the pictures were very low resolution… on top of that, I’m not a great photographer. But the grainy, low-quality images have already acquired that warm and familiar sheen of nostalgia… the same kind of sheen that we experience listening to vinyl records or cassette tapes or playing old arcade style video games (Galaga!). A long time ago I posted a small set of pictures from the old phone when it was still new to me. Now I’ve added a bunch more to that Flickr set. Take a look.
My new phone (Nokia 6300) looks a lot like the T-610. I admit that I bought it mainly on the strength of that resemblance… but… I find its new interface a little too slick, its memory bigger than necessary, its photos are bigger but not better, etc., etc… already I’m missing the relative clunkiness of the old phone knowing full well I’ll have the same nostalgic feelings for the new one in five years time.
Little Tijuana
One of my favorite places in Minneapolis before I left for New York was Little Tijuana a little Tex-Mex place open until 3 am daily. The best part was always the paper table cloth and tons of crayons. A few months ago I decided to move back to Minneapolis. Now I can again experience the nearly forgotten pleasure of drunken crayon scribbling in the early hours of the morning. I know there are plenty other places out there that let diners doodle before a meal. For me, Little Tijuana is still the best.
Kajko i Kokosz in the Uncanny Valley
One of my favorite comics growing up was Kajko i Kokosz (I’ll have more about the comics and their creator Janusz Christa in my future ‘Comics in Poland’ posts). I just stumbled on a trailer (high def, youtube) for a CGI movie version of the comics. It looks like it’s relatively well made, with some pretty big stars used as voice talent. Unfortunately it suffers from the ‘uncanny valley’ effect.
The uncanny valley effect describes the way positive emotional response to human-like robots (and other entities like zombies, cgi-humans etc.) turns into strong repulsion as their appearance gets closer to our own. The chart above illustrates the effect. This is something that plagues a lot of CGI movies like The Polar Express and Final Fantasy.
Generally the effect is referred to when looking at humans, but I think the effect can also be applied to originally 2 dimensional cartoon characters who become translated into the (virtual) reality of 3D through the magic of computers. Once they are translated into 3 dimensions, all of a sudden the characters have to acquire additional properties like motion, weight, etc. In 3D space they may have to be seen in angles never shown in the 2D space of comics. In Kajko i Kokosz the 3D models try to be extremely faithful to the comics characters, but end up looking very creepy, unnatural…
… and positively evil!
I haven’t actually seen the entire movie, so I’ll reserve judgment as to it’s quality. But if the trailer is anything to go by, the great characters that I (and other kids) grew up on, are not in this movie.
But what about the kids who will first see Kajko i Kokosz (or any other character) as a CGI puppets? Will they find the comics versions somehow creepy? Can the Uncanny Valley effect work in reverse? If we grow up surrounded by close approximations of ourselves, will we be shocked by our own mirror image?
Comics in Poland
I stumbled on an interesting post about Polish comics and comics scene. It’s really just a brief overview of some of the current books found on the shelves of Polish comics stores.
Actually I wasn’t even aware that Poland had any comic-book stores. When I lived there in communist 80’s the only way to get comics from newsstands with very erratic delivery schedules. Instead of going to Catholic school classes, I would always stalk the newsstand in hopes of getting my hands on the latest issues of Swiat Mlodych, or Fantastyka.
In the 90’s, when I’d visit Poland after my family had moved to the US, it always a chore to find a place that would have a decent selection of comics material. Albums and collections were rare in bookstores, and pamphlet comics would frequently sell out quickly at newsstands. Flea markets (especially the Gdansk flea market during the Jarmark festival) would often be the best places to find older and even recent material.
In the near future I hope to do a more detailed look back at the comics I read and collected when I lived in Poland in the 80’s.
Proto Trans-Alaska
As I started to compile my notes on Trans-Siberia, I realized there was still a couple of things left unsaid about Trans-Alaksa. If you haven’t read the first batch of Trans-Alaska notes, you can catch up here.
Trans-Alaska was a very formless book. It was done without preparation and ‘straight to ink’, without any pencilled art. It’s title was a kind of last minute tribute to a series of dreams about Alaska that I had in the mid 90s. Those dreams inspired an attempt at a 24 hour comic. Instead of producing a 24 page comic in 24 hours, I made a 10 page comic in 6 hours.
That comic saw ‘publication’ in my last (semi) regular mini-comic Reduction #7. The story, titled ‘Slow’, was quickly forgotten. Recently, I re-read the story and I realized that ‘Slow’ was in effect the blueprint for the entire Trans series!
panel from Slow
For those of you interested, I’m posting the entire story here. Also, for those of you that still care about physical objects, a limited number of copies of Reduction #7 are available from me at robot26.com. It’s pretty embarassing stuff so don’t laugh! 😉
It’s pretty clear that a most of the ideas in the Trans books were already in ‘Slow,’ though in a very unformed fashion. It’s definitely stuff I was thinking about back then, but for one reason or another (working to pay the rent) I put that stuff on the back burner. Even some of the visuals are very similar. I guess I’m just a cheap copy of myself!
panel from Trans-Alaska
My First Animated GIF
I just found the first animated GIF I’ve ever made! Circa somewhere around 1996-1997… I’m not even sure anymore. Click on the image to see it in it’s original full screen glory!