Sundays are nice and quiet… for the most part… at least for me. Many don’t like them because Monday is just around the corner. But I enjoy the calm before the storm… On Monday, the Trylon Microcinema gets to the middle of it’s great Zatoichi the Blind Swordsman series. I got a chance to draw the poster for the series. Above you can see the raw drawing and below the designed poster. The original drawing is fore sale here in case anyone is interested. Don’t miss out on Zatoichi Meets Yojimbo on Monday & Tuesday! More info here.
What else is new? Uncivilized Books released two new books a couple of weeks ago! Eel Mansions by Derek Van Gieson and the 2nd book in the Critical Cartoon series Carl Barks’ Duck by Peter Schilling Jr. More on both books next time!
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Another Trylon film poster, this time for a Václav Havel series. Original line art is below and available for sale (along with my other film related images).
Recent poster for the Trylon Microcinema. This time for a series of films by one of my favorite directors, Rainer Werner Fassbinder. Below is the original drawing (which is for sale on my original art page).
Art for a recent poster I drew for the David Lynch series at the Trylon.
Another poster (here’s the previous one) for my favorite Twin Cities movie house: The Trylon.
drawn from Quest for Fire.
drawn from Quest for Fire.
I finally saw Thor a couple of days ago. Everytime I saw images of Asgard on the screen, I thought of The Hallgrímskirkja in Reykjavik (below)… or a church organ.
Last year’s La Mano ‘festival’ at Eclipse Records was a blast. This year should be no different. It’s tomorrow! (July 24th) More info here.
One of my favorite comics growing up was Kajko i Kokosz (I’ll have more about the comics and their creator Janusz Christa in my future ‘Comics in Poland’ posts). I just stumbled on a trailer (high def, youtube) for a CGI movie version of the comics. It looks like it’s relatively well made, with some pretty big stars used as voice talent. Unfortunately it suffers from the ‘uncanny valley’ effect.
The uncanny valley effect describes the way positive emotional response to human-like robots (and other entities like zombies, cgi-humans etc.) turns into strong repulsion as their appearance gets closer to our own. The chart above illustrates the effect. This is something that plagues a lot of CGI movies like The Polar Express and Final Fantasy.
Generally the effect is referred to when looking at humans, but I think the effect can also be applied to originally 2 dimensional cartoon characters who become translated into the (virtual) reality of 3D through the magic of computers. Once they are translated into 3 dimensions, all of a sudden the characters have to acquire additional properties like motion, weight, etc. In 3D space they may have to be seen in angles never shown in the 2D space of comics. In Kajko i Kokosz the 3D models try to be extremely faithful to the comics characters, but end up looking very creepy, unnatural…
… and positively evil!
I haven’t actually seen the entire movie, so I’ll reserve judgment as to it’s quality. But if the trailer is anything to go by, the great characters that I (and other kids) grew up on, are not in this movie.
But what about the kids who will first see Kajko i Kokosz (or any other character) as a CGI puppets? Will they find the comics versions somehow creepy? Can the Uncanny Valley effect work in reverse? If we grow up surrounded by close approximations of ourselves, will we be shocked by our own mirror image?