A few days ago I talked on the phone with Rina Ayuyang and Thien Pham. We talked about my new comic Trans-Utopia, Uncivilized Books, and many other comics related topics. It was pretty fun. The conversation was recorded. It’s now available here.
I meant to post this sooner but various things conspired to prevent it. This is just a brief note that new comics are now available on the Uncivilized Books site. All of these debuted at the Brooklyn Comics and Graphics Festival and are now available for purchase via the magic of the interwebs:
Diary is the follow up to Gabrielle Bell’s acclaimed L.A. Diary. This pamphlet continues Gabrielle’s autobiographical project with stories set in Minneapolis, New York and California. The star of the book is ‘Manifestation’, Gabrielle’s ‘adaptation’ of the notorious Scum Manifesto. Tom Kaczynski contributes a one-page introductory comic.
KLAGEN: A HORROR briefly considers the movements and practices of the death cult which has silently infiltrated every level of society throughout our world. Drawn in dirty gray and black, it sheds no more light than is prudent and gives no false hope. One closes this small book feeling that although we live in God’s house, God has not been home for a long, long time.
The long awaited fourth part of the well received Trans series of books (which includes Trans-Alaska, Trans-Siberia and Trans-Atlantis). The cartoon journey through philosophy, pop-culture, politics and the occult arrives at its destination: Utopia…
I’ll have a longer post on Trans-Utopia and utopias in general soon.
I should have posted this earlier. I wrote a review of Kazuo Umezu‘s The Drifting Classroom for Rain Taxi. The review is not online, but the magazine is available for free in most independent book stores around the country. You can also get a copy by ordering direct from Rain Taxi. Here’s an excerpt:
The distance between the present and utopia is measured in centuries. We locate utopian societies in the future, and prefigure them with premonitions of apocalypse; the dysfunctional order of the present must be swept aside by some vaguely grasped apocalyptic event to allow a new and better world to emerge. Every generation faces their own unique brand of the end of the world: religious rapture, nuclear annihilation, natural disasters, clash of civilizations, Malthusian overpopulation, and so on. Ecological collapse caused by industrial pollution fuels the horror in Kazuo Umezu’s inventive, eleven-volume manga horror epic, The Drifting Classroom.
The titular classroom is actually Yamato Elementary School, which due to unknown circumstances finds itself ripped out of time and flung into a devastated future. The school, housing 863 students and teachers, becomes an ark adrift on the sea of toxic sand that covers the remains of Tokyo and the rest of the world. The school’s temporal realignment brings the kids and adults face to face with the deadly consequences of Japan’s famed ‚ “economic miracle.” They become the last remnants of civilization and, at the same time, the last hope for humanity’s survival.
It’s clear that Umezu perceives adults as part of the problem, for he dispenses with the teachers early on. One by one the grown-ups succumb to madness and die off quickly. They can’t process what is happening to them‚ “the idea that the school might be in the future is utterly impossible,” and unable to imagine the impossible they have to die off, like dinosaurs. The children, not yet saddled with dogmas of adulthood, are able to imagine the possibility of time travel and thus grasp the reality of their predicament. Their capacity to imagine the impossible becomes their salvation, but also the source of the horrors to come.
Gary Panter has been very visible lately thanks to a couple of recent awe-inspiring books. Gary has renaissance-man-like abilities as a painter, cartoonist, TV art director, musician, light manipulator, etc. I’m sure this list of his talents is not exhaustive. I’m not going to add much to that list… except ‘postmodern conceptualist.’
I just received the new Jimbo mini-comic from Picturebox. It’s short, but full of deadpan funny non-sequiturs and great drawing. It’s another Gary Panter quality product. It contains one image-concept that encapsulates the Panter sensibility: Jimbo, cruising around on a Segway chariot! A Segway chariot! This post-apocalyptic vehicular imagination rivals Mad Max! It slices right through the Gordian Knot of late-capitalist, apocalyptic imagination: modern/ancient, primitive/advanced, peaceful/war-like, banal/sublime, etc.
In moments like this, I’m tempted to view Gary Panter as an unsung postmodern conceptualist masquerading as a cartoonist. I mean that in the best possible way! In any case, it’s time to dig out Gary’s Jimbo, a post-apocalyptic Gesamtkunstwerk, for a closer read.
I meant to post this sooner but the Yokoyama essay has been quite a distraction. Anyway, since the Daily Cross Hatch has deemed me a subject worthy of an interview, I suppose I should at least link to it: here’s Part 1 and Part 2. The interview was ably conducted by the intrepid Sarah Morean. Ok, this piece of shameless self-promotion done with, the blog can return to it’s semi-regular service…