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  • UR : Utopia Report : No. 2

    Cartoon Utopia the mini-comic

    It’s time for another edition of the UR, the Utopia Report. If you missed the previous edition, check it out here.


    The first Utopia Report ended with Ron Regé’s Cartoon Utopia. In a recent post, Ron took the time to explain the sources of the utopian world he is building. Ron’s reading list tends towards the transcendental and mystical visions of utopia. This makes sense. His work for me always had mystical underpinnings. The interactions between his characters always depict some kind of unspoken (telepathic?) connections. Auras, rays, and halos emanate from his characters revealing extrasensory sensitivities. Their egos dissolve into larger energy fields producing new undiscovered harmonies. It’s really interesting to see this work develop. The Cartoon Utopia is slowly becoming the theoretical underpinning of its own formal qualities. It describes a vision of the world by being that vision‚ an “ouroboric vessel.”
    Also, check out Ron Regé’s Cartoon Utopia mini-comic.


    Interesting call for more ‘utopian post-apocalypse movies. The author wonders why we don’t see “suggestions for post-apocalyptic living or specific life-changing prescriptions for our current situations” in movies as much as we see the destruction of the world. The answer seems obvious. It’s a lot easier to destroy than to create. In a way, he’s giving further evidence to the Zizekian creativity deficiency as expressed in his “it is much easier for us to imagine the end of the world than a small change in the political system” statement. If we can’t imagine a small change, then how can we go about devising new utopian societies and civilizations? But, Zizek’s statement is starting to sound a little dated these days. As the financial crisis erodes confidence in our society, it’s becoming increasingly possible to question the way of life that led us to this point. Perhaps this can lead to more creative visions in cinema, science fiction, and politics. I’m skeptical on the political front‚ but I would welcome more pulp utopianism.


    I recently read Kim Stanley Robinson’s, Red Mars. It’s part one of a trilogy about the settlement and terraforming of the red planet. Earth is overpopulated and running out of resources. Mars seems the obvious solution as the destination for mass emigration and a huge source of natural resources. The drama of the novel hinges on the struggle between capitalist and socialist tendencies (though the author doesn’t necessarily spell this out). The capitalists see Mars as a planet-sized mine and a source of planet-sized profits. The socialists see the red planet as a blank slate for a new society and an opportunity to forge a new relationship with the environment. The harsh living conditions on Mars foreground the preciousness of things we usually take for granted on Earth. Atmosphere, soil, water are not there for the taking. The terraforming (literally Earth-shaping) of Mars is a huge collective effort. In such an environment concepts like private property and money become meaningless. How do you turn Mars into a new Earth, when Earth no longer resembles itself? I can’t wait to read the rest of the trilogy.

    Speaking of Kim Stanley Robinson… here’s a recent article where he describes capitalism as a multi-generational Ponzi scheme. A lot of ideas found in Red Mars are echoed in this essay.


  • Eyeglasses: A History

    As mentioned in the previous post, I’d done some illustrations for Robyn Chapman’s Hey 4-Eyes! zine. Well, here they are. It’s a brief history of eyeglasses from Emperor Nero’s Emerald to Otto Wichterle’s invention of the contact lens. The drawings are presented in reverse-chronological order. All the research was done by Robyn.
    Otto Wichterle inventor of contact lenses
    1961 AD. Otto Wichterle and his Merkur (a tinker-toy-like construction system) based apparatus used to develop the first contacts.

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  • Hey, 4-Eyes!

    Hey 4-Eyes! Promo
    A few of my drawings (illustrating some key moments in the history of eye glasses) will be on view at at the Hey, 4-Eyes! show at the CCS gallery in White River Junction, Vermont. Here’s the full details:
    Hey, 4-Eyes!
    A Glasses-Themed Gallery Show

    The Center for Cartoon Studies
    94 South Main Street
    White River Junction, Vermont
    Gallery Hours:
    Saturday March 21, 11am-5pm
    Saturday March 28, 11am-5pm
    First Friday Event April 3, 6pm
    The Center for Cartoon Studies is proud to present an exhibition of artwork from Hey, 4-Eyes!, the world’s most popular zine about eyeglasses. CCS will showcase original work by acclaimed artists Jason Lutes (Berlin), Sarah Oleksyk (Ivy), Jim Medway (Shorty Loves Wing Wong), Joseph Lambert (Turtle, Keep it Steady), and many more.
    Hey, 4-Eyes! is a self-published journal (otherwise known as a “zine”) dedicated to eyeglasses. Filled with original comics, interviews, history, and keen observations, Hey, 4-Eyes! celebrates the continuing evolution of the accessory you can’t live without.
    Please join editor/publisher Robyn Chapman as she debuts the third issue of Hey, Four-Eyes! in conjunction with White River Junction’s First Friday on April 3. This event will include book signings, live readings, and educational slide shows.
    The Center for Cartoon Studies (CCS) is America’s premiere cartooning school and studio located in the historic village of White River Junction, Vermont. Faculty and visiting artists include many of today’s most celebrated cartoonists. CCS has received national acclaim for its work and prominent mention in the New York Times, the Boston Globe, the Los Angeles Times, the Washington Post, and scores of other publications. For more information, visit http://www.cartoonstudies.org/

  • MOMEntum: Opening Night

    momentum.jpg
    At the risk of turning this blog into into an all-MOMEntum-all-the-time-blog, here are some pictures from Friday night’s opening party. I’m still adding descriptions, etc. If you have a Flickr account feel free to comment and help me identify everyone.

  • Multiples Mall: A Bookish Fair


    Click to enlarge.
    This is kind of late‚Ķ but better late than never. On Saturday (Feb. 21), The Walker Art Center hosted the Multiples Mall event. Subtitled ‘A Bookish Fair’, it featured the work of artists who make ‘book-related multiples’. It was a pretty fun event and I hope the Walker keeps doing it every year. Here’s the pile of stuff I picked up. I took this picture with my Nokia 6300. It’s not the greatest, but my Canon is dead, so it’s going to have to do. 3 Minute Egg has some video of interviews from the floor.
    (1) A Labor of Gratitude is a collection of 4 small zines designed and put together by a group designers associated with the Walker itself. Each booklet is a tribute to a significant public figure or artist that the designers felt was under-appreciated by the culture at large. Michael Chang, Major General Michael Collins, Levi Eshkol and Ana√Øs Nin. Their significance is examined through quotations, reflections, images and statistics. My favorite booklet was the Michael Collins one. It’s filled with poetic descriptions of Collins’ time in space excerpted from Carrying the Fire: An Astronaut’s Journeys. Now I know what Roy Batty’s final monologue in Blade Runner was inspired by!
    (2) Cipher Text by Brian Aldrich. A small booklet filled with text that’s been enciphered using an unknown (to me) encryption system. I liked the newsprint paper it was printed on and the idea of text I could not decipher.
    (3) Texas ++ by Sean Lynch. A brief western melodrama drawn inside of an old Borland C++ technical book. I believe the characters were based on some kind of chart from that book. Occasionally, elements from the book become part of the story. It’s an interesting experiment. I really liked the colors. Sean had some really cool stuff in that Borland Book/Sketchbook. I want to see some of the other strips to surface from it. Especially the post-apocalyptic one.
    (4) Me No Like by Josh Journey-Heiz. A series of images paired with short text pieces that act as a critique of life in late-capitalism. The images feature hairy primitive neanderthal-ish creatures wreaking havoc on emblems of capitalist modernity: office buildings, golf courses, Hard Rock Cafe, Hummer limousines, etc. Like some kind of archaic luddites they hurl their stone-age weapons at tanks and security cameras in a futile attempt to keep technology at bay‚Ķ but, they seem to know enough about modern ways to hunt frat boys using booby trapped beer kegs. With accompanying phrases like: “The ghosts of high-capitalism haunt those not shopping”, what’s not to like!? Josh is also part of Knife World. See #6 below.
    (5) Befoul’d by Hardland/Heartland. I assume the art is done by different members of the Hardland/Heartland collective. I couldn’t tell if there’s an overarching theme to the drawings‚Ķ but who cares! The art was compelling enough for me to pick up the book.
    (6) Knife World by Knife World. The record as a physical object is stunning. The wraparound artwork is printed in old-school red-blue 3D. To view it in its three-dimensional glory, you don’t need a set of 3D glasses‚Ķ the blue-red lenses have been built into the center of the vinyl disc itself! The cover depicts a desiccated wasteland populated by piles of toys and a looming Mt. Rushmore re-carved into some sort of rock ‘n roll monument. The music is fast and frenetic‚Ķ I keep wanting to say it’s vaguely reminiscent of a ’60s psychedelia inflected Lightning Bolt‚Ķ But that’s not a very good description. Check out some of their stuff online.
    (7) Manny + Bigfoot by Meghan Hogan. A surreal little fable of… well the titular characters and a bunny. A nice eco-conscious package with a velcro seal for safe keeping. Meghan & Raighne publish the Good Minnesotan.
    (8) Opolis by Elisabeth Workman and Erick Brandt. Opolis is a prose poem pamphlet exquisitely printed (in Doha, Quatar) on very thin (think phonebook paper thin) translucent pink (or yellow, or blue, or green) newsprint. Each part of the the poem is paired with a photograph. The poem reads like an illicit stream of consciousness love affair colliding into strange unfinished urban neighborhoods built on top of forgotten ancient red light districts haunted by specters of angular furniture designed by lonely architects permanently exiled to little known oriental mega-cities‚Ķ it’s probably my favorite bookish object from the Multiples Mall. More info here.

  • MOMEntum

    It’s been a little quiet on this blog over the last few days. It’s hard to post through the painful haze of clogged sinuses! The regularly scheduled programming should return this week. Meanwhile, a quick reminder that the MOMEMENTUM: The New Comics exhibition opens on Friday (March 6th). I hope it’s already in everyone’s calendars! A few pages of my comics (from MOME vol. 12) will be displayed among gems from many other awesome MOME contributors (listed in the graphic below). I will also be giving a ‘Gallery Talk’ with Zak Sally on April 9th. Check out the details here. Come and say hello!
    MOMEntum Exhibition at MCAD, Fantagraphics, MOME

  • Communism Undead

    karl marx undead

    My post on capitalism sparked a few comments from my friend Francis, and eventually a fuller response on his blog. If you’re interested, take a look there first, then come back here for my (hopefully not too rambling) response below.
    The first thing that struck me about Francis’ post was how much it resembled… The Communist Manifesto(!), especially the first part. Here’s Francis:

    “[ … ] my tenuous theory might go something like this: In the U.S., we’re slowly taking every other sort of prejudice and replacing it with one based on money. For example, I remember reading (in The Nation, I think), that the Sears Roebuck catalog gave a generation of black working class families the ability to buy household goods that they couldn’t buy in the local department store.”

    This is precisely what Karl Marx likes about capitalism! The first half of the Communist Manifesto is essentially Marx’s love letter to the Bourgeois and the destructive/creative dynamics of capitalism. The Manifesto isn’t very long and is worth a read. Here are just a couple of quotes related to the conversation:

    “The bourgeoisie, wherever it has got the upper hand, has put an end to all feudal, patriarchal, idyllic relations. It has pitilessly torn asunder the motley feudal ties that bound man to his ‘natural superiors’, and has left remaining no other nexus between man and man than naked self-interest, than callous ‘cash payment’. It has drowned the most heavenly ecstasies of religious fervour, of chivalrous enthusiasm, of philistine sentimentalism, in the icy water of egotistical calculation. It has resolved personal worth into exchange value, and in place of the numberless indefeasible chartered freedoms, has set up that single, unconscionable freedom, Free Trade. In one word, for exploitation, veiled by religious and political illusions, it has substituted naked, shameless, direct, brutal exploitation.”

    [ … ]

    “The bourgeoisie cannot exist without constantly revolutionising the instruments of production, and thereby the relations of production, and with them the whole relations of society. Conservation of the old modes of production in unaltered form, was, on the contrary, the first condition of existence for all earlier industrial classes. Constant revolutionising of production, uninterrupted disturbance of all social conditions, everlasting uncertainty and agitation distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices and opinions, are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.”

    Marx is pretty impressed by capitalist dynamics! Of course, Marx saw capitalism as a transitional phase that would culminate in communism. Communism has been interpreted by many different people to mean a lot of different things. Anything from Stalinist dictatorship to Bakunin’s anarchist collectivism. But, they’re all linked by Marx’s awe of the capitalist sublime, and it’s potential to release – through it’s contradictions – the enormous creative energies of the masses.

    But, the Capitalist destruction of all old hierarchies and prejudices doesn’t solve them. It merely exchanges them, as Francis himself says, for ones based on money. Racism may become less acceptable socially, but not so economically. Many minority groups (and women) still earn a fraction of white male salaries. A comment to Francis’ post added that capitalism has been compatible with racism in the past. Slavery is only the most obvious example. Take a look at contemporary Dubai. It’s frequently cited as a model of capitalist development, and yet it employs a huge emigrant underclass not allowed to integrate into the indigenous culture. This doesn’t even get at the vast global pro(to)letariat (mostly non-white) that lives in cities of slums.

    But, I don’t want to get sidetracked into identity politics. In my original post I wanted to point out that part of the problem in solving many of these issues is in the way we talk about them. For example Francis says: “Sure, I can complain about how Paris Hilton never had to work the way I did, but I can still work hard and make okay money.” That simple phrase “I can still work hard and make okay money” contains so much hidden history behind it. It assumes that capitalism makes it possible to for us to “work hard and make okay money”, where in fact it was the struggle of socialists and communists that created those conditions. Historically “working hard and making ok money” wasn’t always possible under capitalism. Working hard (for far more than 8 hours a day) guaranteed basic subsistence at best. It was only after a long (and often violent) struggle that the right to “make ok money” was wrested from capitalists. Social Security, Minimum Wage, Universal Health Care, etc., these are all socialist and communist ideas. We generally accept the premise of capitalist meritocracy under the guise of ‘equal opportunity’. But in ‘actually existing capitalism’ it was only the creation of (socialist) Public Schools and Universities that really began to level the playing field for large portions of the population… and Public Schools have been under a capitalist siege for decades now. And, as Paris Hilton demonstrates, we still have a ways to go. So next time lets say “Sure, I can complain how the capitalist scion Paris Hilton never had to work the way I did, but I can still work hard, and thanks to the long international communist struggle, make okay money.” 😉

    In addition to the socialist institutions I mention above, capitalism also absorbed concepts like ‘democracy’ and ‘markets’. These concepts all blur together now. We can’t conceive of a democracy without capitalism (Chile). Markets have existed before capitalism and will exist after capitalism. Capitalism has been naturalized to the point of becoming the language of economics itself! This conceptual over-stuffing resulted in the disappearance of the very word ‘capitalism’ (over the last 30 years). This is the point I was trying to make in my original post. I think this naturalization of capitalism makes it more difficult to introduce new ideas (or even interesting old ideas) that have never been tried. The reappearance of the word in the midst of the current economic meltdown, is a reminder that capitalism IS a system, a concept, an idea, a choice; it’s debatable!

    Is it possible to have a market based economy without private property? Is it possible to democritize private capital? I don’t know. Is it possible to have democracy under capitalism? Headlines like these: “Lobbyists Line Up to Torpedo [Obama’s] Speech Proposals” make me think that maybe the answer is no. This kind of thing always amuses me. Capitalists are asking for a bailout with one hand, and with the other they scuttle the proposals of a DEMOCRATICALLY elected figure. How is there always enough money to overturn the collective will of the people, but never any for better wages, benefits, etc.? They can’t have it both ways!
    Now, I’m not convinced that communism is the way to go. I grew up in ‘communist’ Poland, and it’s not something I’d like to repeat (though I do have nostalgic fondness for that period – more on nostalgia soon). But the Marxist critique of capitalism is valid (though maybe it’s too successful) and should not be discarded, especially not during this crisis. So how do you turn a critique into an alternative? I don’t know, but that’s why I’m interested in utopian ideas. They contain kernels of something else, an alternative… Zizek said that the death of communism may have been the best thing to happen to communism. As long as capitalism exists it will be forever haunted by the specter of communism. It’s undead revenants will keep rising up to haunt the (privatized) houses of capitalism.

    communist zombies

  • Umfeld, Pole and Others at Bedlam

    On Saturday night at Bedlam Theatre several laptop musicians took the stage and lit up the crowd with abstract visuals, spooky experimental soundscapes, and some good old fashioned techno. Electronic music has taken a back seat to a series of revivals and re-inventions (80’s psychedelic freak folk metal, etc.) over the last decade or so‚Ķ at least in the US. In Europe the two headliners, Pole and Umfeld, continue to play to huge audiences. Courtesy of the annual Spark Festival, Minneapolis got a little glimpse of what’s been happening in electronic music. I didn’t get to see any of the other Spark events, but what I heard on Saturday failed to make a huge impression. It was fun and well executed, but it failed to break new ground. The sounds were a little different, the processors faster, the visuals more sophisticated, the resolution higher, but there could be no doubt that the night had a distinctly late ’90s vibe. The event did leave a warm nostalgic glow behind‚Ķ which is enough for me to want more‚Ķ I just wish someone would bring Felix Kubin to town!
    Here are a few drawings from the event executed under the faint glow of laptop screens‚Ķ I didn’t do a drawing of Alex Rae‚Ķ mainly because he started his set well before the announced starting time, and in the manner of self-effacing laptop musicians, he failed to notify anyone that he was in fact playing… And it was a pretty good too once you realized what was happening. Click on the images to enlarge them.

    Dreamlogicc

    I really liked the set by locally based Cepia… too bad it lasted less than 20 minutes!

    Pole went for a crowd pleasing techno set.

    Umfeld created some stunning visuals to accompany the music… or was it the other way around? Check out their DVD. It’s a free download!

    More Umfeld.

  • Doodle Dump 010

    This week’s Doodle Dump‚Ñ¢ continues the sketchbook previously featured here and here. It happens that a lot of the drawings this time are copies of drawing by other cartoonists. Yuichi Yokoyama and Jack Kirby are just the more obvious examples. Click on images to enlarge them.
    noir-ish

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