Blog

  • Adalbert Arcane’s Notes and Theories: 100,000 MILES

    Introduction

    We begin a new series of guest posts from Adalbert Arcane, the writer of Notes & Theories section of the new edition of Beta Testing the Ongoing Apocalypse (BTTOA). The story covered is the first in the BTTOA cycle. This is the story that launched this project in the first place.

    Who is Adalbert Arcane? Adalbert Arcane is a noted psychogeographer and the co-founder (with Tom Kaczynski) of Omniversity. He has an honorary fellow at OPA (Office for Psycho-Architecture).

    Notes & Theories: 100,000 MILES

    100,000 Miles by Tom Kaczynski page 1
    100,000 Miles, page 1

    AOL / TW

    The author (Tom Kaczynski) claims personal events inspired this story. The details are sketchy, but some information can be pieced together from various infrequent interviews. The author did live in the Washington, DC area at the time of the creation of this story. He claims his commute to his job (when he was employed on a secret prototyping division of AOL/TimeWarner (AOL/TW) headquartered near the Dulles airport) was approximately 45 minutes each way. This is plausible as traffic in the DC/Virginia tech corridor is notorious.

    The imagery of the comic resembles the freeway edgelands of the Herndon/Reston/Sterling suburban sprawl one would have to traverse to reach the AOL/TW HQ.

    100,000 Miles, page 6, panel 1 by Tom Kaczynski
    100,000 Miles, page 6, panel 1

    Ballard

    J.G. Ballard’s car novels influenced 100,000 Miles [1]. The author makes this explicit on the page (see p. 14, panel 1). This author wears his influences on the sleeve.

    Ballard’s Crash! and Concrete Island explore the psycho-sexual relationship between vehicles and drivers. Cars’ sleek chassis and leather barely conceal their latent deep pathology and violence. Drivers enter into a primitive hypnotic state as they begin to physically merge and identify with their vehicles. Violent collisions are moments of truth. The moment of the crash results in an erotic merger of steel, leather, and flesh [2]

    In 100,000 Miles, the car is ubiquitous, commonplace, and tame. The Ballardian charge has already dissipated [3].

    The protagonist drives aimlessly, trying to avoid work. The drive is a tedious and uneventful background that serves as a blank canvas for rumination and reverie. Is it a deliberate counterpoint to Debord’s Derivé, where a flaneur traverses the city in rapid succession of ambiances? The car is a sensory deprivation chamber—a theme that the author returns to repeatedly (see Hotel Silencio, Million Year Boom, and Music for Neanderthals)—floating through a generic suburban wasteland. Occasionally the Real bursts through accidents and traffic jams. Like in Goddard’s Weekend, the traffic jam and the accident reveal the occulted meaning beneath the freeway concrete.

    Break With the Past

    This story distinctly breaks with the author’s other work (to be collected as Trans Terra, which attempts a sharp social critique in comics form) both formally and narratively. The Beta Testing The Apocalypse (BTTA) project seeds already appear here: obsession with numbered titles, easter eggs that connect each story, sly references to the source material, absurd fictional scenarios, etc.

    100,000 Miles, page 7, panel 3 by Tom Kaczynski
    100,000 Miles, page 7, panel 3

    Traffic Jam / Hyperobject

    At what point is the traffic jam real, a real object, an entity that has existential status? The author complicates the ontological status of the traffic jam. Sometimes we drive, and traffic seems to flow without delays, but another traffic jam is already forming somewhere ahead of us. Is each traffic jam a distinct entity? Or is the entirety of the automobile fleet simply in various states of the same continuous global traffic jam in various states of territorialization and deterritorialization?

    These ideas parallel Timothy Morton’s work on hyperobjects and the contemporaneous work of the Object-Oriented Philosophical clique. OOP proposes novel metaphysics, reevaluates the ontological status of objects, and posits a positive flat ontology (more on this in notes on Million Year Boom).

    The now-famous denouement of the infinite traffic jam sets the stage for the ongoing questioning of the ontological status of everyday reality throughout the book. This sequence is likely the genesis of the whole BTTA project.

    [1] Originally appeared in Backwards City Review, 2006. First appearance in color: MOME 7, 2007.

    [2] Though not explicitly based on Ballard, the Tetsuo, the Iron Man film best visualizes the flesh-machine hybrid.

    [3] Ballard himself (as a writer at least) moved on to other libidinal-liminal zones, shopping malls, resorts, etc. 



    Fantagraphics | Amazon.com | bn.com | Bookshop.org


  • Beta Testing the Ongoing Apocalypse Update

    The dates keep moving on the release of Beta Testing the Ongoing Apocalypse. The release shifted from February to March 15th, 2022.

    beta testing the ongoing apocalypse
    beta testing the ongoing apocalypse cover by tom kaczynski

    A few folks asked what will be different about the new edition. Besides being a hardcover, the new edition has a number of differences from the first edition:

    • A brand new cover (see above).
    • Three more stories. One previously unpublished.
    • An introduction by Christopher Brown.
    • Several pages of notes and theories by Adalbert Arcane.
    • Expanded Index.

    You can order signed copies directly from me on this site:

    or via Uncivilized Books here:

    Order the book directly from Fantagraphics here:

    Also available from Amazon, etc.

    Amazon.com | bn.com | Bookshop.org



  • What’s So Interesting About Bitcoin Anyway?

    I live in the United States of America, but I am not from here. Americans use the Dollar as Money. The Dollar has been a relatively stable currency during the post-WWII world, so most American citizens (myself included) are used to this stability. In many other countries around the world, this is not the case.

    Crisis

    I grew up in the 70s and 80s Communist Poland. It was a different world. During the early 70s, the country was relatively prosperous due to foreign debt-fueled “New Development Strategy.” This ground to a halt during the 1973-74 Oil Crisis, which led to massive inflation, spiking the prices of consumer goods in Poland. The Government softened some of the impacts through additional borrowing and food price controls. Economic growth tanked by the end of the decade. 

    The 80s began with an ongoing economic crisis. Eventually, the Government could no longer keep food prices low. The price hikes resulted in strikes and factory occupations and then erupted into the massive Solidarity movement. A tense struggle and negotiations between the workers and the Government took place under the shadow of possible Soviet intervention. On 13th December 1981, General Jaruzelski declared Martial Law which lasted until July 1983. The economic situation continued to deteriorate. Massive debts incurred in Western currencies and artificially low exchange rates wreaked havoc. Shortages, rationing, brownouts, empty store shelves were common. By 1985 my family had left the country.

    Magic Dollar

    All this is only a short simplification, of course. I was very young. But I spent much of my time standing in long lines (multiple times in a row) to purchase rare goods like bananas or coffee. I played by candlelight during brownouts, wandered through vast supermarkets with empty shelves, and laughed at frequent sightings of toilet paper armor. One of the most vivid experiences for me was visiting foreign currency stores: a chain of stores known as Pewex carried western goods. It was used by the Government to earn hard western currency. The shelves here were overflowing with candy bars, chewing gum, Coca-cola, Legos, etc. Stepping inside transported me to the threshold of a parallel world. To enter, one only needed the correct currency. 

    From Trans Siberia

    When I first stumbled on Bitcoin[1] during its early days, I didn’t make much of it. I tried mining some on my computer and promptly forgot about it. I stumbled on it again last year while looking for some examples of micropayments. At first, all the negative stories and excessive hype surrounding it put me off. But, a nagging feeling kept bringing me back. It was a portal reminiscent of Pewex. Inside the Bitcoin network, you enter a zone that slips between borders. 

    When we lived in Germany, my uncle was allowed to visit us in Hamburg. On this trip, he smuggled a gold coin in the heel of his shoe. He exchanged it into German Marks (this was the pre-Euro era). He took the money back to Poland, where it was worth much more due to the debased Polish currency.

    When the Soviet system finally collapsed, Poland underwent an economic “shock therapy.” All price controls were lifted resulting in massive devaluation of most assets. When I visited in 1991 the country was shell shocked. Crime was rampant. Everything appeared to be crumbling. US Dollar had a frightening purchasing power relative to the local currency. Most people opted for the Dollar when offered a choice. Money changers were on every corner.

    Looking back at my time in Poland, I was obsessed with money. Not money as something to accumulate or spend, but in a more abstract sense. I collected coins and stamps from around the world, and of course, comics. All of these objects acquired a patina of valuable means of exchange. You could trade a duplicate stamp for one you didn’t have, or trade a rarer more valuable one for several other of lesser value to gain a broader more comprehensive collection. It was a form of barter. It was something that the adults around me were doing as well. Trading valuable hard-to-obtain items like western cigarettes, or bottles of vodka for essential goods and services. I sometimes drew fake treasure maps. I rarely imagined gold as the treasure. Most of the time I imagined a cache of US Dollars where treasure should be found. With the Dollars, I’d have the keys to the Pewex universe.

    This is a long-winded way to say that we take our money for granted. We rarely think about how it comes into being, how much it is worth, and how it circulates. Bitcoin is different from our everyday Money. It is open-source Money issued outside the purview of governments. In the past, gold played a similar role. Most Money derived its value from gold or silver. Today many believe Bitcoin is the new gold. But, it is Bitcoin’s ‘outsideness’ quality that attracts me the most. 

    Many economists proposed similar monetary ‘outsider’ systems. For example, Friedrich Hayek thought Money should exist outside the direct control of the state. Another well-known economist, Karl Marx, wanted to demolish the state to ensure that ‘the government of men gives way to the administration of things.’ Another Marxist philosopher Althusser elaborated on this insight:

    the only way to save communism was to entirely reject the ‘metaphysics of the subject’ by embracing the idea that history administers itself without any help from humans, that it is a ‘subjectless process.’

    Mark Alizart’s Cryptocommunism (Theory Redux) (p. 19). Wiley.

    Althusser is said to have been inspired by feedback loops in cybernetic systems. All these ideas begin to look a lot like Bitcoin with its decentralized network, self-adjustable hash rate, and stable monetary issuance.

    What about all the negative stories surrounding Bitcoin? 

    • excessive power usage
    • it’s a Ponzi scheme
    • it’s worthless
    • only criminals use it
    • it’s a speculative gambling casino
    • etc.

    These concerns are valid, and I will explore them in future posts and comics. But, I hope I am getting closer to showing that Bitcoin is more interesting than that. I see it as an avatar—imperfect to be sure—a prefiguration of something else: a global synthetic store of economic value. Something like it has never existed before. What kind of a world does something like that bring about? What happens to Fiat Money in that kind of world? What happens to traditional investment instruments like land or stocks? Like in my native Poland in the 80s, what happens to countries where the currency loses all value? What happens in times of social and economic turmoil? What if these people now have access to this global synthetic economic store of value?

    I plan to regularly release essays and comics that deal with all the different ideas and philosophies that emanate from Bitcoin. I want to examine the good, the bad, and the ugly of the Bitcoin network. From the utopian promises to the seamy underbelly. If that sounds interesting, sign up for my newsletter. The form on the top right of this blog >>>

    NOTES:

    [1] I view “Bitcoin” as a larger ecosystem that includes various Bitcoin forks. I will mostly focus on the three best-known ones: BTC, BSV, BCH.

  • Uncivilized Territories

    Gabrielle Bell and I started a podcast, Uncivilized Territories. Comics are the core subject, but we will often detour into broader cultural territories. This one is about comics, what comics can do for philosophy and the dangers of nostalgia. Future episodes will be on magick, domestication of dogs and humans, comics of Olivier Schrauwen, astral projection, and much more. Two cartoonists exploring uncivilized territories… episode one below.

    https://anchor.fm/uncivilizedterritories/episodes/Cartoon-Dialectics-and-The-Dangers-of-Nostalgia-et5unn

    Stay tuned for more episodes every two weeks!

  • Introduce Yourself (Example Post)

    This is an example post, originally published as part of Blogging University. Enroll in one of our ten programs, and start your blog right.

    You’re going to publish a post today. Don’t worry about how your blog looks. Don’t worry if you haven’t given it a name yet, or you’re feeling overwhelmed. Just click the “New Post” button, and tell us why you’re here.

    Why do this?

    • Because it gives new readers context. What are you about? Why should they read your blog?
    • Because it will help you focus your own ideas about your blog and what you’d like to do with it.

    The post can be short or long, a personal intro to your life or a bloggy mission statement, a manifesto for the future or a simple outline of your the types of things you hope to publish.

    To help you get started, here are a few questions:

    • Why are you blogging publicly, rather than keeping a personal journal?
    • What topics do you think you’ll write about?
    • Who would you love to connect with via your blog?
    • If you blog successfully throughout the next year, what would you hope to have accomplished?

    You’re not locked into any of this; one of the wonderful things about blogs is how they constantly evolve as we learn, grow, and interact with one another — but it’s good to know where and why you started, and articulating your goals may just give you a few other post ideas.

    Can’t think how to get started? Just write the first thing that pops into your head. Anne Lamott, author of a book on writing we love, says that you need to give yourself permission to write a “crappy first draft”. Anne makes a great point — just start writing, and worry about editing it later.

    When you’re ready to publish, give your post three to five tags that describe your blog’s focus — writing, photography, fiction, parenting, food, cars, movies, sports, whatever. These tags will help others who care about your topics find you in the Reader. Make sure one of the tags is “zerotohero,” so other new bloggers can find you, too.

  • Introduce Yourself (Example Post)

    This is an example post, originally published as part of Blogging University. Enroll in one of our ten programs, and start your blog right.

    You’re going to publish a post today. Don’t worry about how your blog looks. Don’t worry if you haven’t given it a name yet, or you’re feeling overwhelmed. Just click the “New Post” button, and tell us why you’re here.

    Why do this?

    • Because it gives new readers context. What are you about? Why should they read your blog?
    • Because it will help you focus your own ideas about your blog and what you’d like to do with it.

    The post can be short or long, a personal intro to your life or a bloggy mission statement, a manifesto for the future or a simple outline of your the types of things you hope to publish.

    To help you get started, here are a few questions:

    • Why are you blogging publicly, rather than keeping a personal journal?
    • What topics do you think you’ll write about?
    • Who would you love to connect with via your blog?
    • If you blog successfully throughout the next year, what would you hope to have accomplished?

    You’re not locked into any of this; one of the wonderful things about blogs is how they constantly evolve as we learn, grow, and interact with one another — but it’s good to know where and why you started, and articulating your goals may just give you a few other post ideas.

    Can’t think how to get started? Just write the first thing that pops into your head. Anne Lamott, author of a book on writing we love, says that you need to give yourself permission to write a “crappy first draft”. Anne makes a great point — just start writing, and worry about editing it later.

    When you’re ready to publish, give your post three to five tags that describe your blog’s focus — writing, photography, fiction, parenting, food, cars, movies, sports, whatever. These tags will help others who care about your topics find you in the Reader. Make sure one of the tags is “zerotohero,” so other new bloggers can find you, too.

  • Introduce Yourself (Example Post)

    This is an example post, originally published as part of Blogging University. Enroll in one of our ten programs, and start your blog right.

    You’re going to publish a post today. Don’t worry about how your blog looks. Don’t worry if you haven’t given it a name yet, or you’re feeling overwhelmed. Just click the “New Post” button, and tell us why you’re here.

    Why do this?

    • Because it gives new readers context. What are you about? Why should they read your blog?
    • Because it will help you focus your own ideas about your blog and what you’d like to do with it.

    The post can be short or long, a personal intro to your life or a bloggy mission statement, a manifesto for the future or a simple outline of your the types of things you hope to publish.

    To help you get started, here are a few questions:

    • Why are you blogging publicly, rather than keeping a personal journal?
    • What topics do you think you’ll write about?
    • Who would you love to connect with via your blog?
    • If you blog successfully throughout the next year, what would you hope to have accomplished?

    You’re not locked into any of this; one of the wonderful things about blogs is how they constantly evolve as we learn, grow, and interact with one another — but it’s good to know where and why you started, and articulating your goals may just give you a few other post ideas.

    Can’t think how to get started? Just write the first thing that pops into your head. Anne Lamott, author of a book on writing we love, says that you need to give yourself permission to write a “crappy first draft”. Anne makes a great point — just start writing, and worry about editing it later.

    When you’re ready to publish, give your post three to five tags that describe your blog’s focus — writing, photography, fiction, parenting, food, cars, movies, sports, whatever. These tags will help others who care about your topics find you in the Reader. Make sure one of the tags is “zerotohero,” so other new bloggers can find you, too.

  • Tom Kaczynski in Conversation with Noah Van Sciver

    A couple of days ago I had the pleasure of chatting with Noah Van Sciver. We hit lots of topics, Uncivilized Books, publishing, comics, reminiscences, etc. I also get to hype some upcoming projects including Cartoon Dialectics, I Nina by Daniel Chmielewski & Olga Tokarczuk, and a new edition of Beta Testing the Apocalypse!

    Artist, illustrator, and publisher of Uncivilized Books, Tom Kaczynski, and I have a conversation about drawing and publishing comics during these weird times. Tom’s newly reinvigorated series Cartoon Dialectics has been sweeping the small comics scene like a wildfire.

    Also discussed: science fiction as the literary fiction of today, Polish comics, the Critical Cartoon series, Bruno Schulz, and much more!

    Most importantly the video features my first haircut since the onset of COVID… a small 2020 victory. Enjoy!

  • Cartoon Dialectics 2: Apocalypse Is The Suburb Of Utopia

    The new issue of Cartoon Dialectics is almost here! We were able to score a leftover batch of Pantone 804 fluorescent ink for the cover! It should be the perfect radioactive glow for the nihilistic content inside!

    Table of contents:

    1. Cover
    2. Your Mind is a Vast Landscape by Adalbert Arcane. New spatial analysis of the mind and the comics medium. Co-presented by Omniversity. Illustrated Mind-Scape by Tom Kaczynski.
    3. Trans Terra Continues: The End of the World and the Typical Post Apocalyptic Scenario
    4. Eschatological Book Club with Ransom Strange
    5. Trans Terra Continues: The Ignoble End of Igloo City
    6. Extinction Level Events: We Are Elementals
    7. Trans Terra Continues: Continent Wrecked on a Mysterious Island
    8. Aesthetic Education: Man / God
    9. Indicia: Language as World
    10. Uncivilized Books Paid Advertising + Mechanics of Enjoyment
    11. Back Cover Motto: Apocalypse Is The Suburb of Utopia and A New Logos For The Anthropocene

    The first 200 orders get a signed print. The first 50 get print + sticker!