I can’t make it to MoCCA this year, but at least I can re-experience last year’s festival through the transcript of a conversation between me and Kent Worcester. I was going to put up the audio of that some time ago, but the quality was pretty low. Anyway, for those that missed it check it out here. The conversation is edited, so my ramblings aren’t as incoherent. It’s like being there, but better.
Kent also wrote another piece on my work on TCJ a few weeks earlier.
‘Momus’ by Meghan from Good Minnesotan.
Momus says good-bye by saying hello. I will miss his Click Opera blog. I’ve followed it almost daily since it’s inception. For those of you who haven’t ever read it… go explore!
There were a few broken links and feeds. I think I took care of all of them. But if any of you out there find any more broken stuff, let me know.
OK. I think all the images working fine. If anyone notices some missing images, please let me know by commenting on this post. I’m going to be playing around with the look and feel over the next few days, so things may occasionally look weird or unfinished.
Ok, importing the text content was relatively painless. Now I have make sure all the images get fixed.
Today will be spent at the 8th Annual Book Arts Festival at the Minnesota Center for Book Arts. The usual assortment of Uncivilized Books publications will be available for sale, including Gabrielle Bell’s L.A. Diary and… a brand new mini-comic: Ancient Reading Device (pictured above). More on that after the festival. Stop by and say hello.
I came to the United States From Poland in 1987. I’ve traveled back to the home country a few times over the last couple of decades. A few days ago I had a different kind of homecoming. I was interviewed for the first time by the Polish comics community. The brief interview is now posted, along with a few pages of my comics, on the Aleja Komiksu site.
If you read Polish the rest of the Aleja Komiksu site is well worth checking. I especially recommend the extensive interview with Andrzej Klimowski, one of the most interesting figures in British comics. English speakers aren’t completely left out. The site posted a survey of recent comics by young British cartoonists. Take a look.
To celebrate this virtual homecoming, I’m posting one of my first ever comic-books. It may not be THE first comic, but it’s certainly the first total package: a stapled pamphlet, complete with a logo and print run number (it was customary for the print run to be listed on books in Poland at the time – in this case the print run was 1). I was 11 when I made this.
Eric Reynolds at Fantagraphics mentioned it a while ago, but I didn’t really believe it until I saw the book a few of days ago: Million Year Boom, my story from MOME 11 was selected for the 2009 edition of Best American Nonrequired Reading. I’m REALLY surprised and thrilled to have my work appear in such an amazing collection. Two other MOME contributors, Olivier Schrauwen and √âmile Bravo were also selected. Congratulations to all contributors!
For more about Best American Nonrequired Reading series and it’s selection committee check out their very own blog. A portion of the proceeds from the book go to benefit the 826 National youth literacy project.
The book should be available in bookstores at blog time. Or buy the book online via: Magers & Quinn, Amazon, Powells.
I probably don’t do this sort of thing enough… but here are a few recent reviews of my work I was alerted to, or have stumbled upon:
“Still, though not quite successful on a philosophical level, it’s a lovely-looking strip, with judiciously chosen images representing the various ideas and idea-spouters and Kaczynski’s precise use of thicker blacks creating a memorable Easter Island sequence.”
— on Cartoon Dialectics by Sean T. Collins
“[…]another one of his psychoeconomic fables, one where his trademark mounting sense of disconnection and dread wind their way through several symbolically engrossing episodes[…]”
— on MOME 11 by Sean T. Collins
“[…] incredibly well-written but not-very-inspiringly illustrated […]”
— on MOME 11 by Chris Estey
“Like Eightball with footnotes! (or at least, in this case, an actual bibliography.)”
— on Cartoon Dialectics
“The artist-author, like his protagonist, manages, without premeditation or planning, to discover some profound truths encoded within a corporate brand finally produced as a 21st century cave painting of blood, sweat and semiotic design at the end of a trail of excrement and allergens.”
— on MOME 11
both quotes by Chris Nakashima-Brown
