Every now and then I like to imagine a counterfactual pop-music history. In the 50s & 60s, instead of plonking on guitars, aspiring pop musicians stocked up on wires, transistors & vacuum tubes. The basements and garages of their parents suburban homes became audio research laboratories exploring the musical potential of electricity, electro-magnetism and other still undiscovered forces of nature. In that world Ursula Bogner would have been a star.
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