Another fun interview, this time with Nick Hanover at The Comics Bulletin. We meander around a variety of topics: music, science-fiction, architecture, Quest for Fire, and much more. Here’s an exchange about the genesis of “100,000 Miles,” the lead story from Beta Testing The Apocalypse, and the story that was ultimately the genesis of the book itself:
CB: There’s a lot of flexibility in terms of perspective in your writing, too. For instance, “100,000 Miles” is mostly written from the perspective of a car.
CB: It’s hard to describe to people, but that’s such a cool idea, it really worked. How do you get into the mind frame of something like that? How do you make yourself think like that? Because it worked perfectly, it had almost this semi-autistic bent, which made perfect sense to me for a vehicle.
TK: With that particular one, that story was based on the time I lived in DC. And I had this murderous commute, that was 45 minutes to an hour. I would just sit there in this commute and think about this stuff. It was kind of interesting, because you got to drive in the city, Washington D.C. itself, and then out into this corridor by Dulles International Airport, this sort of tech corridor that was out there. You’d drive through the suburbs and these communities and I wanted to create some kind of narrative about the city and its surroundings, just kind of an essay. So this journey in a car became the structure for that. The way it’s written, a lot of it is kind of not stolen, but influenced by a lot of architectural texts, and the way they write about these things. Some architects tend to be more imaginative than others and get metaphorical, or whatever. So that’s kind of the genesis for this thing.
It also has some process art, like this big splash page from “The New:”
Read the rest fo the interview here.